ZOOM PRO UAC-8 SuperSpeed USB 3.0 Audio converter

Descripción

There’s a whole new world of possibilities for Mac and PC Creators — high-speed, high-resolution, and low-latency. Upgrade your rig with the rackmountable UAC-8, and add 18 inputs and 20 outputs to your USB 3.0-equipped Mac or Windows computer—even your iPad.* Plug in a microphone, line-level device, or instrument and start bringing your ideas to life, or take the UAC-8 onstage to enable high-res audio playback, all the way up to 24-bit/192 kHz.

* Apple Camera Connection kit or Lightning to USB Camera Adapter required

FEATURES AT A GLANCE
18-in/20-out SuperSpeed USB 3.0 audio interface
Standalone mode allows use as an 8-channel mic preamp and A/D or D/A converter without connection to a computer
Support for recording and playback of up to 24-bit/192 kHz high-resolution audio
Low latency audio streaming
8 combo balanced XLR/TRS analog input connectors accept both mic and line-level signal
High-performance mic preamps with up to +60 dB of amplification
Hi-Z switches allow direct connection of electric guitar or bass (INPUT1, INPUT2)
Independent gain controls and clip LEDs for each input
Switchable +48V phantom power (INPUTS 1-4, INPUTS 5-8)
10 balanced TRS output jacks for connection to mixers, amplifiers, self-powered speakers, headphones, or effects devices
Dual front-panel 1/4" headphone outputs with dedicated volume controls
Large knob output volume control
4x upsampling during A/D and D/A conversion for reduced noise and enhanced fidelity
Asynchronous transfer system unaffected by computer jitter
S/PDIF IN/OUT: 2IN / 2OUT, up to 24-bit/192 kHz
ADAT Optical IN/OUT: 2 IN / 2 OUT at 192/176.4 kHz (S/MUX4 compatible), 4 IN/4 OUT at 96/88.2 kHz (S/MUX compatible), 8 IN / 8 OUT at 48/44.1 kHz
Word Clock in/out
Clock source indicator
MIDI in/out
Rack-mountable (1U space)
Robust metal housing
Works with all USB 3.0-equipped Mac and Windows computers and Apple iPad*
* Apple Camera Connection kit or Lightning to USB Camera Adapter required

SPECS
ANALOG INPUTS: INPUTS 1–8
CONNECTORS: XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot)
INPUT GAIN: 0–60 dB (1 dB steps)
INPUT IMPEDANCE: 5 kO 1 MO (When IN1/IN2 Hi-Z on)
MAXIMUM INPUT LEVEL: +13 dBu (XLR at 0 dBFS) +21 dBu (TRS at 0 dBFS)
PHANTOM POWER: +48 V
ANALOG OUTPUTS: MASTER OUTPUTS
L/R CONNECTORS: TRS jacks (balanced)
ANALOG OUTPUTS: LINE OUTPUTS 1-8
MAXIMUM OUTPUT LEVEL: +14 dBu (at 0 dBFS)
OUTPUT IMPEDANCE: 150 O
ANALOG OUTPUTS: PHONES 1/2
CONNECTORS: Standard stereo phone jacks 20 mW × 2 (into 32 O load)
MAXIMUM OUTPUT LEVEL: +10 dBu
OUTPUT IMPEDANCE: 33 O
DIGITAL IN/OUT: ADAT OPTICAL
CONNECTORS: ADAT Optical (lightpipe) 8 IN/OUT: 44.1 kHz/48 kHz 4 IN/OUT: 88.2kHz/96kHz, S/MUX compatible 2 IN/OUT: 176.4kHz/192kHz, S/MUX4 compatible
DIGITAL IN/OUT: S/PDIF OPTICAL
CONNECTORS: RCA (coaxial)
SUPPORTED SAMPLING FREQUENCIES: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz
DIGITAL IN/OUT: WORD CLOCK
CONNECTORS: BNC
SUPPORTED SAMPLING FREQUENCIES: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz
OUTPUT IMPEDANCE: 75 O
Other
FREQUENCY CHARACTERISTICS : 44.1 kHz: -1.0 dB, 20 Hz–20 kHz 96 kHz: -1.0 dB, 20 Hz–40 kHz 192 kHz: -1.0 dB, 20 Hz–60 kHz
INPUT CONVERSION NOISE: Measured EIN: -125 dB (IHF-A) at 60dB, 150O input
DYNAMIC RANGE: AD: 120 dB typical (IHF-A) DA: 120 dB typical (IHF-A)
SAMPLING FREQUENCIES: 192 kHz, 176.4 kHz, 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHz
BIT DEPTH: 24-bit
INTERFACE: USB 3.0 / 2.0
MIDI IN/OUT: 5-pin DIN jacks
POWER SUPPLY: AD-19 DC12V 2A AC adapter
EXTERNAL DIMENSIONS: 6.2 in. (D) × 19 in. (W) × 1.8 in. (H) 157.65 mm (D) × 482.6 mm (W) × 46.03 mm (H)
WEIGHT (MAIN UNIT ONLY): 4.4 pounds / 2.02 kg
NUMBER OF RECORDING AND PLAYBACK CHANNELS
AUDIO INTERFACE AND STANDALONE MODES: AT 44.1 KHZ AND 48 KHZ: Recording: 18 channels (ANALOG: 8, S/PDIF: 2, ADAT Optical: 8) Playback: 20 channels (ANALOG: 10, S/PDIF: 2, ADAT OPTICAL: 8)
AUDIO INTERFACE AND STANDALONE MODES: AT 88.2 KHZ AND 96 KHZ: Recording: 14 channels (ANALOG: 8, S/PDIF: 2, ADAT Optical: 4) Playback: 16 channels (ANALOG: 10, S/PDIF: 2, ADAT OPTICAL: 4)
AUDIO INTERFACE AND STANDALONE MODES: AT 176.4 KHZ AND 192 KHZ: Recording: 12 channels (ANALOG: 8, S/PDIF: 2, ADAT OPTICAL: 2) Playback: 14 channels (ANALOG: 10, S/PDIF: 2, ADAT OPTICAL: 2)
CLASS COMPLIANT MODE: AT 44.1 KHZ, 48 KHZ, 88.2 KHZ, 96 KHZ, 176.4 KHZ, 192 KHZ: Recording: 8 channels (ANALOG: 8 Playback: 10 channels (ANALOG: 10)